September 02, 2010
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| BACK |
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| David Korins |
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Show(s) (listed chronologically,
most recent first) |
Position(s) |
Role(s) |
Theater Name |
Award Nominations |
Award(s) Won |
| Play Dead |
Set Designer
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Players Theatre |
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| The Metal Children |
Set Designer
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Vineyard Theatre |
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| When the Rain Stops Falling |
Set Designer
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Mitzi E. Newhouse Theater |
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2010 Lucille Lortel Award,
Outstanding Scenic Design
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| Still Life |
Set Designer
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Lucille Lortel Theatre |
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| Stunning |
Set Designer
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Duke on 42nd Street |
2009 Henry Hewes Design Award Nomination,
Scenic Design
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| Why Torture Is Wrong, and the People Who Love Them |
Set Designer
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Joseph Papp Public Theater/Newman Theater |
2010 Lucille Lortel Award Nomination,
Outstanding Scenic Design
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2009 Henry Hewes Design Award
2009 Drama Desk Award, Outstanding Set
Design of a Play |
| Farragut North |
Set Designer
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Linda Gross Theater |
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| Romantic Poetry |
Set Designer
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Manhattan Theatre Club Stage I |
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| The Marriage of Bette and Boo |
Set Designer
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Laura Pels Theatre (Current) |
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| Hamlet |
Set Designer
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Delacorte Theater |
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| The Drunken City |
Set Designer
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Playwrights Horizons' Peter Jay Sharp Theater |
2008 Henry Hewes Design Award
Nomination, Notable Effects - Trick
Floor |
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| Hunting and Gathering |
Set Designer
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59E59 Theater A |
2008 Drama Desk Award Nomination,
Outstanding Set Design of a Play
2008 Henry Hewes Design Award
Nomination, Scenic Design
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| Yellow Face |
Set Designer
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Joseph Papp Public Theater/Martinson Hall |
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| Pumpgirl |
Set Designer
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Manhattan Theatre Club Stage II |
2008 Henry Hewes Design Award
Nomination, Scenic Design |
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| The Receptionist |
Set Designer
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Manhattan Theatre Club Stage I |
2008 Henry Hewes Design Award
Nomination, Scenic Design
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| A View From 151st Street |
Set Designer
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Joseph Papp Public Theater/LuEsther Hall |
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| Walmartopia |
Set Designer
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Minetta Lane Theatre |
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| Passing Strange |
Set Designer
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Joseph Papp Public Theater/Anspacher Theater |
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| Essential Self-Defense |
Set Designer
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Playwrights Horizons' Peter Jay Sharp Theater |
2007 Henry Hewes Design Award Nomination,
Scenic Design
2007 Drama Desk Award Nomination,
Outstanding Set Design of a Play |
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| Jack Goes Boating |
Set Designer
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Joseph Papp Public Theater/Martinson Hall |
2007 Lucille Lortel Award Nomination,
Outstanding Scenic Design
2007 Henry Hewes Design Award
Nominations, Scenic Design and Notable
Effects
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| Spalding Gray: Stories Left to Tell |
Set Designer
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Minetta Lane Theatre |
2007 Henry Hewes Design Award
Nomination, Scenic Design
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| Floyd and Clea Under the Western Sky |
Set Designer
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Playwrights Horizons |
2007 Henry Hewes Design Award Nomination,
Scenic Design |
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| Striking 12 |
Set Designer
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Daryl Roth Theatre |
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| Tryst |
Set Designer
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Promenade Theatre |
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| Dog Sees God |
Set Designer
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Century Center For The Performing Arts |
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| Miss Witherspoon |
Set Designer
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Playwrights Horizons |
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| Sides: The Fear is Real |
Set Designer
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Theatres at 45 Bleecker/Bleecker Steet Theatre |
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| Oedipus at Palm Springs |
Set Designer
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New York Theatre Workshop |
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| Swimming in the Shallows |
Set Designer
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McGinn-Cazale Theatre |
2006 Lucille Lortel Nomination,
Outstanding Scenic Design |
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| Terrorism |
Set Designer
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Harold Clurman Theater |
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| Eve-olution |
Set Designer
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Cherry Lane Theatre |
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| Faster |
Set Designer
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Rattlestick Theatre |
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| Biography |
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| On Broadway, David designed Passing
Strange and Bridge &
Tunnel. His numerous off-Broadway
credits include When the Rain Stops
Falling (Lortel nomination) and
Stunning at Lincoln Center
Theater; The Marriage of Bette and
Boo at the Roundabout Theatre
Company; The Wiz at City
Center; Pumpgirl, The
Receptionist, and Romantic
Poetry at Manhattan Theatre Club;
Hamlet at the Delacorte; Why
Torture is Wrong…(Lortel
nomination), Passing Strange,
and Yellow Face at the Public;
Jack Goes Boating at LAByrinth
(Lortel and Drama Desk nominations);
The Drunken City, Floyd and
Clea…, and Miss Witherspoon
at Playwrights Horizons; Farragut
North at Atlantic Theater Company;
Blackbird (Drama Desk
nomination) and Orange Flower
Water (Drama Desk nomination) with
Edge Theater Company; and Swimming
in the Shallows at Second Stage
(Lortel nomination).
David’s regional credits include
A.C.T., The Geffen Playhouse, Center
Theatre Group, The Huntington, The Old
Globe, Santa Fe Opera, Toho Tokyo,
Alliance Theatre, La Jolla Playhouse,
The Guthrie, and Williamstown Theatre
Festival.
In 2009, David won the Obie Award for
Sustained Excellence in Design as well
as the Drama Desk Award and Henry
Hewes Design Award for Why Torture
is Wrong and the People Who Love
Them at the Public Theater. He
also received the Hewes Award for his
work on Blackbird, as well as
thirteen other Hewes nominations.
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