
July 31, 2010
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| BACK |
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| David Greenspan |
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| Biography |
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DAVID GREENSPAN Acting credits include
Terrence McNally’s Some Men at
Second Stage, Richard II at
CSC, Goethe’s Faust with Target
Margin, David Grimm’s The Learned
Ladies of Park Avenue at Hartford
Stage, Kathleen Tolan’s The Wax
at Playwrights Horizons, Harry
Kondoleon’s Saved or Destroyed
(directed by Craig Lucas) at
Rattlestick, High Life and
Second-hand Smoke at Primary
Stages, Small Craft Warnings
with Worth Street, José Rivera’s
Sueño at MCC, Lipstick
Traces with The Foundry, Richard
Foreman’s Benita Canova and
Mart Crowley’s The Boys in the
Band (Obie, Drama Desk
Nomination). He has directed and
performed in his plays, Jack,
Principia, The Home Show
Pieces, 2 Samuel 11, Etc.
at Home for Contemporary Theatre and
Art, Dead Mother, or Shirley
Not All in Vain at the Public,
She Stoops to Comedy at
Playwrights Horizons (Obie) and The
Myopia, an epic burlesque of tragic
proportion with The Foundry. His
plays have been produced at theatres
overseas, most notably The Royal Court
in London and Stükke Theater in
Berlin. He collaborated with composer
Stephin Merritt and director Chen Shi-
Zheng on The Orphan of Zhao and
is assisting Mr. Chen on his
adaptation of The Journey to the
West. The Argument, based
on Gerald Else’s writings about
Aristotle’s Poetics, will be presented
by Target Margin Theater in June under
the direction of David Herskovits.
Directing credits include Chikamatsu
Monzaemon’s Gonza the Lancer at
the Public and Kathleen Tolan’s
Kate’s Diary at Playwrights
Horizons. An alumnus of New
Dramatists, he has received
playwriting fellowships from the John
Simon Guggenheim Memorial Foundation,
Jerome Foundation, Joyce Mertz-Gilmore
Foundation and Charles Revson
Foundation. He received the 1993
McKnight Fellowship from the
Playwrights Center, a 2002
CalArts/Alpert Award and a 2006
Lucille Lortel Foundation Fellowship.
He holds a B.A. in Drama from the
University of California at Irvine.
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